31
Mar
15

If I only knew being a concert technician was an option…

Earlier in my life I had to pick a profession, perhaps a trade. Ultimately, something that would afford me a living of some sort. Awhile back, like yesterday and today, music was at the forefront of my thoughts, and when it came time to pick something to focus on in school, I wanted it to be music based. The kicker though, my musical talent was nil. So the thought of entering into the business on the business side of things was perhaps my only choice. When this life altering decision time presented it self, the industry was almost at the point of a radical overhaul due to the internet and what it was — at the time — slowly doing to physical record sales. I decided against it and chose something radically different. Fast forward a decade plus and for most artists, stepping out on the road and performing live gigs is how one makes a living. Enter the concert technician.

A working professional doing what they love. For a very respectable wage, too. The Wall Street Journal shares an excellent write-up on what we all used to know as the roadie and how this gig has evolved. With so many artists having to tour, and for many, tour extensively, there is a great demand for tech production crew gigs.

Roadies: Unlikely Survivors in the Music Business

 

29
Mar
15

25 Years of Local H…

Historical topics that pique my interest are captivating. A narrative written in autobiographical-like form, one that I feel almost eternally invested in, becomes an essential consumption. It’s a feat to last in the music game. You and your band released more than one record, you’re ahead of most. You’ve found enough grit and semi-success to last a decade, congratulations because you’re doing something right. The former Chicagoans of the Year, Local H, on the verge of unleashing their 8th LP, Hey Killer, have survived 25 years. But if my speakers and I are the judge, survived isn’t what Local H has done, they’ve thrived.

The band gets the significance of this milestone. On their Facebook page, they’re offering up stories of the past, studio tweaks, demos not many have heard, and tidbits on how certain songs became to be. As of now, they’re up to “Pack Up The Cats”, their third full length released in ’98.

Before “All the Kids Are Right” became the perfectly crafted story song it is, Scott looked to none other than Cheap Trick for inspiration and took his already written “Lead Pipe Cinch” and reworked it. Below, one example of the brilliant historical artifacts on display as the best duo in the game invite you to experience 25 Years of Local H:

 

 

28
Feb
15

This is what happiness sounds like, according to Matt Mahaffey…

The iPod is no more. You and all your friends stream music. There is no more peering into someone’s soul by picking up their iPod or music specific device to see what aurally pleases them. The next best thing in 2015, the playlist. Right? Prince’s protege, Matt Mahaffey, or the music impresario behind sElf, has curated a happiness playlist. It’s 27 tracks deep and contains safe, Mahaffey-like picks like Beck’s “Hollywood Freaks” and Prince’s “17 Days” —remember this? But keeps us guessing by including hair metal meets AC/DC “Shake Me” by Cinderella and none other than Fatlip with his Knight Rider inspired “Cook” track.

A brief Q&A session with Matt.

22
Feb
15

Local H’s The Misanthrope…

 

The hardest working duo in the game, Local H, are unleashing their 8th LP in April, Hey Killer. Through their Pledge Music campaign, we’ve been sprinkled with a song here or there; snippets are rather appetizing and keep up the anticipation. The public can now take in their hard hitting “The Misanthrope”. Not one hint of Scott slowing down, and their new drummer, Ryan, hits harder than your mom after you failed her again.

 

21
Feb
15

There’s Ecstasy in My House…

My collection is lacking in dance music. What that genre even means today is beyond me. At one point, it was electronic based exclusive. A pulsating beat and sharp, shimmery synths was an automatic gravitation for me. Operators, Dan Boeckner’s latest musical offering from his prolific band creating ability, has birthed a dark acidic house banger, “Ecstasy In My House”,  that screams at you to either move, or simply reach for the repeat button. Shit, around here, it’s been both.

It hits you with its arpeggio charge, seeps inside of you, and is a duration that lets you find your groove and roll with it. The rumor is that when this quartet graces the stage, the sounds that are emitted from their instruments take control of the listener and cause people to make babies. Twitter hasn’t failed me yet, so realistically, I want to believe this. This is shaping up to be Dan’s best project since Divine Fits — that was his last. He’s that good….

13
Jan
15

Failure in ’15…

Picture 3

 

I did that goofy year in review via Spotify and it wasn’t too telling of what I really was spinning last year. Or maybe I’m simply hiding something? Regardless, it did speak to one of the records I spun more frequently than others. One outta 1996. Shit, maybe it’s time to admit I’m stuck in the past. Like you, I don’t take to change oh so much. 19 years later, it’s Failure’s Fantastic Planet that won’t leave my head, or obviously my speakers. A top 20 record without a doubt…

Via their FB, Failure has confirmed they’re prepping a new record, and it leads me to believe we’ll see its release by the close of this year. New material in record format excites me; though what makes me really psyched about this news is the inevitable tour.  Their loud, crushing sound translate excellent live as they use their guitars as weapons of destruction.

13
Jan
15

RATM tears through a small school in early ’92…

 

Something historic takes place and no matter how profound it is in the moment, its true effects aren’t known till later. Two decades might begin to show how that historical moment influenced today. Rage Against the Machine set a new standard for genre defying. It’s the early 90s and heavy metal has subsided; Kriss Kross, regardless what you’ll admit to, was making you jump; nu-r&B practically ruled the charts, and Sir Mix-A-Lot was pushing boundaries. On the brink of the Nirvana era, a young Los Angeles band breaks through any genre labeling anyone wants to place on them by blending rock, mind altering guitar solos, heavy metal riffs, and an MC activist with lethal verbal delivery. It hits hard. And in a whole new way that was new to most. As we move into ’92…

 

A gem of a find lies below. Rage Against the Machine destroy the stage of the LA-based Pitzer College back in ’92. Carve out 36 minutes of your day, attach this live performance to a pair of strong, blast capable speakers, and behold this formidable quartet seven months prior to one of the more pivotal releases of the ’90s…

 




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