Perhaps it’s the inability to focus on much for long. Or maybe I only have limited patience for a whole record before wanting to aurally ingest another vibe. Regardless, the EP is a preferred format. Many of my favorite extended plays have been introductions to acts. A sampler — or a track or two — can only go so far. If the act hits hard, I want more. The EP gives you enough to not tire of that artist before a proper full length is released. The material that the EP provides, especially those artists who may be debuting themselves on record, aren’t providing you with filler — sometimes the debut EP is the best thing the band ever does. It’s 4-6 tracks that don’t stop. What’s below are two absolute favorite artists in EP format and a newcomer to me.
Matt Mahaffey of one man jam fame sElf has been teasing us with “Super Fake Nice” for a minute. It ended up being an EP, one six songs long and housing five new ones. Rewind 14 years ago, and Gizmodgery and its toys took over my speakers. Now in 2014, I have an official sElf release to monopolize my ears. From the opener, “Runaway”, with its smile inducing melody and shoulder shake inducing bounce, to the closer, “Splitting Atoms”, with its SPM-era fuzz and driving guitars, lies six classical sElf numbers bristling with Matt’s recipe for my aural satiety. His fusion of 80s beats and rhymes, an adulation for Prince, sugary pop sensibilities, and a 19 year old solid track record make Super Fake Nice an automatic go-to for 2014.
A debut EP from one of the most trusted names in my musical catalog. Blake Smith, a co-creator of Chicago staples Fig Dish, Caviar, and the Prairie Cartel, has unveiled his latest concoction: Forgotten Species. The Hades Fades EP is self-described “noise-pop”. A barrage of distorted cacophony care of ear plug inducing guitars is laced throughout the five tracks, sure. But interwoven amongst the fuzz and Brit influences are pure pop songs, ones that Blake has been writing for two decades. It’s not that he has a formula that he’s repeated with four previous acts, it’s the man knows how to construct songs that matter. Tracks I’ve been repeating since ’95. One part wit and charm through well penned lyricism; two parts rock; one part Chicago hustle.
Soulful house, music that the right church, one that wants to lose themselves in celestial, gospel-like lyrical patterns could embrace, if their pews were sturdy enough. Tourist, a London-based DJ/producer welcomed himself into my speakers this year. Four tracks, all pulsating with an eruption of beats as a foundation as minimalist yet powerful vocals evoking a better tomorrow drive me into one of the most played EPs of 2014.